Our “blended” worship is often restricted to a blend of only contemporary and traditional church styles. A true blend must be more representative of the musical heart languages of our church and include all musical styles prevalent in our community: bluegrass? urban? pop? etc. etc. To be honest, though, I believe that worship is more effective offering different styles in multiple services wherever believers differ in their musical heart language, as opposed to simply offering one blended service. Different services of different styles allows traditional worshipers to continue to embrace the hymnody of the past while other groups embrace styles that resonate with them.
And most of our church members are not spiritually mature “to wait their turn to get what they want.” That’s why blended worship has often been called “the equal opportunity offender.”
Radio stations understand that blending seldom works. Top forty stations don’t offer a daily classical symphony; country stations don’t suddenly break in with a few jazz selections, and rap stations don’t program an occasional hour of contemporary adult hits and oldies.
So if we are going to truly connect our people with God in deeper discipleship and active missions, we must know our church’s heart languages. Too often we assume we know our people and their favorite styles of expression. Have you polled them lately to see exactly what their heart language is? Email me at firstname.lastname@example.org if you would like to see some samples of worship polls for your congregation.
One thing the radio preference chart shows in last week’s blog is that we probably don’t even know what they are listening to on their way home from church. (Click here to see last week’s blog: http://wp.me/p4ybbl-az.) It is dangerous to assume we are on target with our worship planning and are speaking their cultural language without researching it.
Or worse, we are being just plain arrogant if we think we know what is best for them and what style God prefers.
— Mark Powers